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・ Strictly for Grown Ups
・ Strictly for Mothers
・ Strictly for the Birds
・ Strictly from hunger
・ Strictly FX
・ Strictly Genteel
・ Strictly Global
・ Strictly in the Groove
・ Strictly Inc
・ Strictly Instrumental
・ Strictly Instrumental (album)
・ Strictly Leakage
・ Strictly Modern
・ Strictly Money
・ Strictly non-palindromic number
Strictly Personal
・ Strictly Personal (film)
・ Strictly Personal (The Romantics album)
・ Strictly Physical
・ Strictly Physical (album)
・ Strictly Physical (song)
・ Strictly Platinum
・ Strictly positive measure
・ Strictly Powell
・ Strictly Rhythm
・ Strictly Rude
・ Strictly Sex with Dr. Drew
・ Strictly Sexual
・ Strictly simple group
・ Strictly Sinatra


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Strictly Personal : ウィキペディア英語版
Strictly Personal

''Strictly Personal'' is the second album by Captain Beefheart and his Magic Band. It was originally released in October 1968, almost a year after the band had initially taken to the studio to record the follow-up to 1967's ''Safe as Milk''. The finished album has a controversial reputation owing to producer Bob Krasnow's use of audio effects when the tracks were mixed down in accordance with the psychedelic trends of the day. Beefheart subsequently condemned this production, which he said was done without his knowledge or approval, though he is said initially to have agreed to it.
==History==
The original intention was to record an album for Buddah Records entitled ''It Comes to You in a Plain Brown Wrapper'' (''Strictly Personals sleeve design is a relic of this initial concept).〔Barnes, p. 55〕 A considerable amount of material was recorded for the project during the period of October–November 1967 with Bob Krasnow producing. Buddah, however, declined to release the album,〔Platt, John (1999). ''The Mirror Man Sessions'', liner notes.〕 which was issued as ''Strictly Personal'' on Krasnow's own Blue Thumb label the following year.
The album features re-recorded versions of songs from the 1967 sessions. The psychedelic effects added by Krasnow included phasing, reverse tape, tape editing and deep echo. Beefheart always professed that he hated the effects, claiming they had been added without his knowledge, though it is likely he was aware and approved of them at the time. However, subsequent recordings of his are produced with a dry, uneffected sound.
Buddah released some recordings from the earlier sessions, along with an earlier version of "Kandy Korn", as ''Mirror Man'' in 1971. Much other material from the 1967 sessions has since been released: the compilation ''I May Be Hungry But I Sure Ain't Weird'' (1992) contained eleven of the original cuts taken from master tapes. This album has long since been out of print, but all eleven tracks can be found spread across ''The Mirror Man Sessions'' and the current version of ''Safe as Milk''. Some of these tracks were also used for a vinyl-only release by the Sundazed label in 2008 bearing the original intended title of ''It Comes to You in a Plain Brown Wrapper'' but this release does not duplicate the original album's concept or sequence.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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